By Discipline: Music (2010)

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The following abstracts for discipline Music have been submitted:

• African American Spirituals: A Synthesis of African and European Musical Practices
  Oral Paper
  
  (Music, African Studies, African-American Studies)
  Adam J. Ueltschy
  Dr. Marc Rice, Faculty Mentor
  (44-3, 1:45, VH 1010)
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• Alexander Scriabin: Music, Color, and The Mystery
  Oral Paper
  
  (Interdisciplinary, Music)
  Jaycie N. Vos
  Prof. Shirley McKamie, Faculty Mentor
  (5-4, 8:45, MG 1090)
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• "And Why Should They Spoil Their Good Looks?": A Discussion of the Acceptance of Women in the Symphony Orchestra
  Oral Paper
  
  (Music, Women's and Gender Studies)
  Erin H. Miesner
  Dr. Jesse D. Krebs, Faculty Mentor
  (26-1, 9:30, VH 1010)
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• Antonín Dvořák's String Quartet in D Minor, Op. 34: Bohemian Spirit in Classical Form
  Performance Art
  
  (Music)
  Alex McKamie*, Carlye Kleczkowski, Sean Kamery, and Bradley Knoch
  Dr. Brian X. Kubin, Faculty Mentor
  (38-1, 1:15, OP Performance Hall)
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• Aspects of Noh in Kanjinchō
  Oral Paper
  
  (Music, Japanese, Theatre)
  Carol A. Perry
  Dr. Marc Rice, Faculty Mentor
  (44-2, 1:30, VH 1010)
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• Blues and the Fiddle
  Performance Art
  
  (Music, American Studies, Interdisciplinary)
  Alex McKamie
  Dr. Clifton Kreps, Faculty Mentor
  (4-2, 8:15, OP Performance Hall)
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• Classical and Romantic Elements in Schubert's Piano Sonata in A Minor, D. 537
  Performance Art
  
  (Music)
  Ryan P. Huber♦
  Dr. David McKamie, Faculty Mentor
  (23-1, 9:30, OP Performance Hall)
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• The Devil as God: The Blues in the Mississippi Delta
  Oral Paper
  
  (African-American Studies, Philosophy & Religion, Music)
  Drew K. Turner
  Dr. Clifton Kreps, Faculty Mentor
  (22-5, 10:30, MG 2090)
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• Eating Local, a Global Issue With YouTube
  Oral Paper
  
  (Interdisciplinary, Music, Environmental Studies)
  Alyssa S. Rathbun*, Drew K. Turner, Benjamin M. Torrey, and Bridget B. Komoroski
  Dr. Marc Rice, Faculty Mentor
  (44-4, 2:00, VH 1010)
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• emergence: Musical Composition Through Emergent Properties
  Performance Art
  
  (Music)
  Ted S. Moore♦* and Benjamin T. Tate
  Dr. Warren Gooch, Faculty Mentor
  (4-4, 8:45, OP Performance Hall)
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• Evolution of Steel Pan: From Tribal Roots to Contemporary Personal Expression
  Oral Paper
  
  (Music)
  James B. Osbourne
  Prof. Shirley McKamie, Faculty Mentor
  (6-3, 8:30, VH 1010)
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• The Feeling of Infinity: Late Beethoven and the Aesthetics of the Sublime and Beautiful
  Oral Paper
  
  (Music, Philosophy & Religion, Interdisciplinary)
  Christopher K. Bader
  Dr. David McKamie, Faculty Mentor
  (5-1, 8:00, MG 1090)
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• A First-Hand Study of the Relationship Between the Composer and the Conductor
  Performance Art
  
  (Music)
  Jonathan D. Gill♦
  Dr. Mark Jennings, Faculty Mentor
  (23-5, 10:30, OP Performance Hall)
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• Francis Poulenc's Banalités
  Performance Art
  
  (Music)
  Katherine L. Ellis♦
  Dr. Jacqueline Collett, Faculty Mentor
  (23-4, 10:15, OP Performance Hall)
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• Fusion of Primary Chords in Copland's "An Outdoor Overture"
  Oral Paper
  
  (Music)
  Adam M. Yanick♦
  Dr. Warren Gooch, Faculty Mentor
  (57-3, 3:15, VH 1010)
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• George Harrison and Hinduism: Bringing Eastern Music and Philosophy to the Western World
  Oral Paper
  
  (Interdisciplinary, Music, Philosophy & Religion)
  Bonnie G. Birdsell
  Prof. Shirley McKamie, Faculty Mentor
  (20-4, 10:15, MG 2050)
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• Imitatio Mariae: Marian Hymns and Antiphons of Hildegard von Bingen
  Oral Paper
  
  (Music)
  Julie C. Watts
  Prof. Shirley McKamie, Faculty Mentor
  (6-1, 8:00, VH 1010)
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• The Instinct for the Arts
  Oral Paper
  
  (Psychology, Interdisciplinary, Music)
  Katie E. Esterline
  Prof. Shirley McKamie, Faculty Mentor
  (45-1, 1:15, MG 1000)
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• k.d. lang and Queer Country
  Oral Paper
  
  (Music, Women's and Gender Studies, American Studies)
  Karianne M. Jones
  Dr. Marc Rice, Faculty Mentor
  (26-2, 9:45, VH 1010)
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• Kill da Wabbit: Analyzing the Evolution of Music's Role in Warner Brothers Studios' Cartoons Using Representative Works
  Oral Paper
  
  (Music)
  Benjamin A. Martinson♦
  Dr. Jay Bulen, Faculty Mentor
  (26-4, 10:15, VH 1010)
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• Knopff, Schopenhauer and the Symbolist Ideal
  Oral Paper
  
  (Art History, Philosophy & Religion, Music)
  Lauren R. Greenspan
  Prof. Shirley McKamie and Dr. Patricia Burton, Faculty Mentors
  (21-2, 9:45, VH 1324)
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• Legitimization of the Steelpan through the Expansion of Repertoire
  Performance Art
  
  (Music)
  Jason T. Baskin♦
  Dr. Michael Bump, Faculty Mentor
  (4-1, 8:00, OP Performance Hall)
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• Music and Poetry: A History of Collaboration
  Oral Paper
  
  (English, Music, Interdisciplinary)
  Emi E. Griess
  Dr. James D'Agostino, Faculty Mentor
  (39-2, 1:30, VH 1324)
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• Musical Foreshadowing in Wagner's "Elsa's Procession to the Cathedral": A Contextual Analysis
  Oral Paper
  
  (Music)
  Joshua E. Waymire♦
  Dr. Warren Gooch, Faculty Mentor
  (57-2, 3:00, VH 1010)
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• A New Mode of Thinking: Application and Analysis of Eastern European and Middle Eastern Folk Music in Modern Jazz
  Oral Paper
  
  (Music)
  Eric M. Schweizer
  Prof. Tim AuBuchon, Faculty Mentor
  (26-5, 10:30, VH 1010)
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• A Performance and Brief Discussion of Edouard Lalo's Symphonie Espagnole
  Performance Art
  
  (Music)
  Savana A. Ricker♦
  Dr. Sam McClure, Faculty Mentor
  (38-2, 1:30, OP Performance Hall)
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• Prokofiev's Diabolical Sugestion: The Enfant Terrible at Play
  Performance Art
  
  (Music)
  Kelsey A. Kline
  Dr. David McKamie, Faculty Mentor
  (23-2, 9:45, OP Performance Hall)
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• Rhythm and Color in Art as Influenced by Jazz
  Oral Paper
  
  (Music, Art)
  Kelsey A. Kline
  Prof. Shirley McKamie, Faculty Mentor
  (5-3, 8:30, MG 1090)
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• Scattered Memories: An Introduction to Set Theory and the Development of a Composition
  Performance Art
  
  (Music)
  John R. Freese♦
  Dr. Warren Gooch, Faculty Mentor
  (4-5, 9:00, OP Performance Hall)
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• Similarities and Differences Between Classical and Nonclassical Singing as Present in Spamalot
  Performance Art
  
  (Music, Theatre, Interdisciplinary)
  Sarah R. Stallman
  Dr. Jacqueline Collett, Faculty Mentor
  (23-3, 10:00, OP Performance Hall)
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• Stereotypical or Atypical: The Portrayal of The Governess in Benjamin Britten's "The Turn of the Screw"
  Oral Paper
  
  (Music, English)
  Eugenia A. Siegel♦
  Dr. Marc Rice, Dr. Warren Gooch, and Dr. Jay Bulen, Faculty Mentors
  (44-1, 1:15, VH 1010)
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• The Structural Basis of William Schuman's "George Washington Bridge"
  Oral Paper
  
  (Music)
  Michael J. Harrer♦
  Dr. Warren Gooch, Faculty Mentor
  (57-1, 2:45, VH 1010)
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• "Three Movements for 2 Clarinets and Vibraphone"- An Analytical Discussion
  Performance Art
  
  (Music)
  Vincent A. Wallace♦
  Dr. Warren Gooch, Faculty Mentor
  (4-3, 8:30, OP Performance Hall)
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• "Tintinnabuli": Arvo Pärt and Mystic Minimalism
  Oral Paper
  
  (Music, Philosophy & Religion)
  Alexander W. Monroe
  Prof. Shirley McKamie, Faculty Mentor
  (6-2, 8:15, VH 1010)
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• Treating Depression with Receptive Music Therapy
  Oral Paper
  
  (Music, Psychology)
  Aileen R. McKenzie
  Dr. Jesse D. Krebs, Faculty Mentor
  (26-3, 10:00, VH 1010)
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• Vitali: Chaconne in G Minor
  Performance Art
  
  (Music)
  Shantay R. Guyton
  Dr. Samuel McClure, Faculty Mentor
  (38-4, 2:00, OP Performance Hall)
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• Walter Piston's Concerto for Viola and Orchestra
  Performance Art
  
  (Music)
  Nicole S. Moore♦
  Dr. Sam McClure, Faculty Mentor
  (38-3, 1:45, OP Performance Hall)
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