The following presentations will be held in SUB 3202:
“Overtones” and its Undertones: Text and Context
Examining Depictions of Witches in Horace and Lucan Using Julia Kristeva's Theory of Abjection
The evolution of women’s social status in the family in the twentieth century examined through Chinese films
Haruki Murakami's Sucess Exemplifies the Fall of Favor Between High-Class Japanese Literature and the Japanese Psyche
Barbie: An Icon of Impossible Beauty Standards
Aura: Parallel Memories, Parallel Lives
The Cultural Revolution’s Effects on Chinese Youth as Depicted in Chinese Film
Finding Her Voice: Aunty Ifeoma’s Role in Kambili’s Transformation in Chimamanda Adichie's Purple Hibiscus
The Overprotective Brother: The Influence of Igbo Culture and Family Roles in Chimamanda Ngozi Adichie’s Purple Hibiscus
Women and Men's Reactions to Partner-Directed Insults
Neopronouns in Practice
The Mythology of the Qara Oasis
The Symbolism and Effects of the Use of “Small Things” in Arundhati Roy’s The God of Small Things
Radicalization and its Consequences in Kamila Shamsie’s Home Fire
A Feminist And Marxist Analysis of Marjane Satrapi's Persepolis
Karamat Lone: How the Lone Wolf’s Character and Motivations Affected His Life and Family in Home Fire
The Reach of Religion in Chimamanda Ngozi Adichie’s Purple Hibiscus
Colonialism and Identity in Season of Migration to the North