By Location: OP 2117 (2011)

Georgian Room - SUB
MG 1000
MG 1096
MG 1098
MG 2001
MG 2090
OP 2117
OP 2121
OP Black Box Theatre
OP Lobby
OP Performance Hall
VH 1010
VH 1228
VH 1236
VH 1324
VH 1408

The following presentations will be held in OP 2117:

• A Consideration of the Evolution and Popularity of the Guitar Throughout History: From the Middle-Eastern Oud and the European Lute to the Guitar's Modern-Day Form
  Oral Paper
  
  (Music)
  Yazan N. Alghalith
  Prof. Shirley McKamie, Faculty Mentor
  (12-1, 8:00, OP 2117)
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• The Role of Trombone in Heinrich Schütz's Fili mi, Absalom
  Oral Paper
  
  (Music)
  Julie C. Watts
  Dr. Jay Bulen, Faculty Mentor
  (12-2, 8:15, OP 2117)
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• The Concept of Artistic Synthesis as Revealed in Richard Wagner's Quixotic Music Dramas and Michel Gondry's Hypnogogic Music Videos
  Oral Paper
  
  (Music, Art History)
  Faith L. Martin
  Prof. Shirley McKamie, Faculty Mentor
  (12-3, 8:30, OP 2117)
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• Behold the Lamb of God: A Survey of the Agnus Dei in Twentieth-Century Art Music
  Oral Paper
  
  (Music)
  Katie J. Lakner
  Dr. Warren Gooch, Faculty Mentor
  (12-4, 8:45, OP 2117)
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• Group Lessons in School Music Programs
  Oral Paper
  
  (Music, Education)
  Jessie J. O'Dell♦
  Dr. Jay Bulen, Faculty Mentor
  (28-1, 1:15, OP 2117)
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• Psychology of Music
  Oral Paper
  
  (Music, Psychology)
  Ashley M. Howard
  Dr. Marc Rice, Faculty Mentor
  (28-2, 1:30, OP 2117)
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• Playing in a Dialect: Comparing English and American Trombone Timbres with Their Respective Vowel Systems
  Oral Paper
  
  (Music, Linguistics)
  Katie Cox
  Dr. Jay Bulen, Faculty Mentor
  (28-3, 1:45, OP 2117)
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• Fusion of Musical Styles in Jaco Pastorius' "Opus Pocus"
  Oral Paper
  
  (Music)
  Vincent A. Wallace♦
  Dr. Marc Rice, Faculty Mentor
  (28-4, 2:00, OP 2117)
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