By Discipline: Music (2012)

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The following abstracts for discipline Music have been submitted:

• Applying the Art of Ornamentation to Purcell's Dido and Aeneas
  Performance Art
  
  (Music)
  Martha K. Scharff♦
  Dr. Thomas Hueber, Faculty Mentor
  (PA-301-3, 1:30, OP Performance Hall)
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• Aural Instruction Methods for Jazz Improvisation
  Performance Art
  
  (Music, Education)
  Michael A. Kosiek♦
  Prof. Tim AuBuchon, Faculty Mentor
  (PA-301-4, 1:45, OP Performance Hall)
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• Beethoven String Quartet No. 4 Op. 18
  Performance Art
  
  (Music)
  Carlye S. Kleczkowski
  Dr. Brian X. Kubin, Faculty Mentor
  (PA-301-1, 1:00, OP Performance Hall)
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• Centricity and Structure in Malcolm Arnold's Fantasy for Bassoon
  Oral Paper
  
  (Music)
  Jessie J. O'Dell♦
  Dr. Warren Gooch, Faculty Mentor
  (202-1, 9:30, OP 2117)
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• Circumstances for Success: A Case Study of a Successful Female Drum Set Player
  Oral Paper
  
  (Music, Interdisciplinary, Women's and Gender Studies)
  Harry C. Hackel ♦* and Dustin C. Palmer♦
  Dr. Michael Bump, Faculty Mentor
  (108-2, 8:15, OP 2117)
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• Fauré's Requiem: Contrast to the Requiem Genre
  Oral Paper
  
  (Music)
  Mark A. Woodcock♦
  Dr. Mark Jennings, Faculty Mentor
  (108-1, 8:00, OP 2117)
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• Integration of Baroque and Contemporary Elements in the Fugue Movement of Bloch's Concerto Grosso No. 1
  Oral Paper
  
  (Music)
  Shantay R. Guyton♦
  Dr. Warren Gooch, Faculty Mentor
  (202-4, 10:15, OP 2117)
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• Musical Syncretism in the Jesuit Republic of the Guaraní During the Latin American Colonial Period
  Oral Paper
  
  (Anthropology, History, Music)
  David H. Linhares
  Prof. Shirley McKamie and Dr. Bonnie Mitchell, Faculty Mentors
  (304-3, 1:30, MG 2001)
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• Nature in Music: Finding Musical Expression in Natural Phenomena
  Performance Art
  
  (Music)
  James L. Cooper*, Phillip M. Arnold, Austin M. Church, and Andrew W. Steinbeck
  Dr. Warren Gooch, Faculty Mentor
  (PA-401-1, 2:30, OP Performance Hall)
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• Perceptions of Singers Sight Singing Abilities: How Singers Rate Themselves
  Oral Paper
  
  (Music, Education)
  Christopher M. Thomas♦
  Dr. Mark Jennings, Faculty Mentor
  (108-3, 8:30, OP 2117)
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• The Realization of Mozart's Expressive Keyboard Style in Andante un poco adagio, K.309
  Performance Art
  
  (Music)
  Tyler C. Kielb♦
  Dr. David McKamie and Dr. Ilia Radoslavov, Faculty Mentors
  (PA-301-2, 1:15, OP Performance Hall)
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• Samuel Barber's Hermit Songs: An Analysis of Textual/Musical Connections and Medival Musical Techniques
  Oral Paper
  
  (Music)
  Curtis J. Worzalla♦
  Dr. Warren Gooch, Faculty Mentor
  (202-3, 10:00, OP 2117)
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• The Schoenberg-Mahler Complex
  Oral Paper
  
  (Music)
  Justin W. Von Ahsen ♦
  Dr. Jay Bulen, Faculty Mentor
  (202-2, 9:45, OP 2117)
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• Wagner's Meistersinger von Nurnberg between Art and Philosophy
  Oral Paper
  
  (Music, Philosophy & Religion)
  Filippo Ciabatti♦
  Dr. Sam McClure, Faculty Mentor
  (108-4, 8:45, OP 2117)
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