By Discipline: Music (2008)

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The following abstracts for discipline Music have been submitted:

• Alexander Scriabin: Exploring the Universal Transformation of Art; A look at the synesthetic approach of the Mysterium and preceding works
  Oral Paper
  
  (Music)
  Savana A. Ricker
  Prof. Shirley McKamie, Faculty Mentor
  (20-4, 10:30, OP 2117)
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• An Analysis and Performance of Sean Nos Traditional Irish Music on the Trumpet
  Performance Art
  
  (Music)
  Brian P. Garrison
  Dr. Greg Jones, Faculty Mentor
  (40-5, 2:15, OP Performance Hall)
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• Analysis and Performance of Two Shorts for Brass Quintet (2007) by Allen V. Carter
  Performance Art
  
  (Music)
  Allen V. Carter♦
  Dr. Warren Gooch, Faculty Mentor
  (10-1, 8:15, OP Performance Hall)
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• Beethoven's Timpani Notation: A Gateway to the Past
  Oral Paper
  
  (Music)
  Adam M. Groh♦
  Dr. Michael Bump, Faculty Mentor
  (39-1, 1:15, OP 2117)
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• Beethoven: Violin Sonata in D Major, Op. 12, No. 1
  Performance Art
  
  (Music)
  Nicole S. Moore
  Dr. Sam McClure, Faculty Mentor
  (53-2, 3:00, OP Performance Hall)
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• The Clarinet Design of Eugene Albert
  Performance Art
  
  (Music)
  Ken R. Goss
  Dr. Jesse D. Krebs, Faculty Mentor
  (21-2, 10:00, OP Performance Hall)
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• The Development of the Bassoon as Evidenced in the Symphonies of Franz Joseph Haydn
  Oral Paper
  
  (Music)
  Nicole A. Sonneveld
  Dr. Marc Rice, Faculty Mentor
  (9-3, 8:45, OP 2117)
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• The Development of the Marimba as a Solo Instrument in the United States (1900-1940)
  Oral Paper
  
  (Music)
  Daniel J. Harbaugh♦
  Dr. Michael Bump, Faculty Mentor
  (39-2, 1:30, OP 2117)
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• Examining the Barbershop Quartet
  Oral Paper
  
  (Music)
  Douglas L. Worley
  Dr. Marc Rice, Faculty Mentor
  (9-1, 8:15, OP 2117)
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• Haydn String Quartet in E Flat Major, Op. 33, No. 30 "The Joke"
  Performance Art
  
  (Music)
  Nicole S. Moore*, Christina M. Scheperle, Amanda G. Day, and Brad J. Knoch
  Dr. Brian X. Kubin, Faculty Mentor
  (40-4, 2:00, OP Performance Hall)
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• A Historical Perspective on Music and Emotions
  Oral Paper
  
  (Music)
  Chase A. Carlisle
  Dr. Warren Gooch, Faculty Mentor
  (9-4, 9:00, OP 2117)
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• The Hymns of Martin Luther
  Oral Paper
  
  (Music)
  Michael C. Bolle
  Prof. Patricia Mickey, Faculty Mentor
  (20-1, 9:45, OP 2117)
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• Movements from the Gottesdienst
  Performance Art
  
  (Music)
  Kevin P. Becker♦
  Dr. Warren Gooch, Faculty Mentor
  (10-3, 8:45, OP Performance Hall)
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• Mozart's Sonata for Violin and Piano, KV454
  Performance Art
  
  (Music)
  Kristyna M. Speraneo
  Dr. Sam McClure, Faculty Mentor
  (53-1, 2:45, OP Performance Hall)
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• Mozart's Violin Concerto No. 5 in A, K. 219; Allegro, Adagio
  Performance Art
  
  (Music)
  Ashley P. King♦
  Dr. Sam McClure, Faculty Mentor
  (53-4, 3:30, OP Performance Hall)
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• The Musical Imagery of Claude Debussy: A Transformation of Jean-Antoine Watteau's L'Embarkation de Cythere and Claude Debussy's L'Isle Joyeuse
  Oral Paper
  
  (Music)
  Jessica A. Sommer
  Prof. Shirley McKamie, Faculty Mentor
  (20-2, 10:00, OP 2117)
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• Musical Settings of Goethe's "Mignon" in the 19^th Century
  Performance Art
  
  (Music)
  Kathleen M. Redmon
  Dr. Jacqueline Collett, Faculty Mentor
  (40-3, 1:45, OP Performance Hall)
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• A Performance and Brief Discussion of Antonin Dvorak's Violin Sonata in G Major, op. 100
  Performance Art
  
  (Music)
  Savana A. Ricker* and Nabil J. Pettit
  Dr. Sam McClure, Faculty Mentor
  (53-3, 3:15, OP Performance Hall)
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• A Performance-Based Presentation of Two Ghanaian Songs
  Performance Art
  
  (Music)
  Jonathan C. Thatch* and Alanna W. McDonald
  Dr. Michael Bump, Faculty Mentor
  (21-1, 9:45, OP Performance Hall)
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• Schumann's Sonata for Piano and Violin in A Minor, Op. 105
  Performance Art
  
  (Music)
  Christina M. Scheperle
  Dr. Sam McClure, Faculty Mentor
  (53-5, 3:45, OP Performance Hall)
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• The Secret Life of Alban Berg: Understanding Berg's Music Through his Life
  Oral Paper
  
  (Music)
  Jennifer A. Tullmann
  Dr. Marc Rice, Faculty Mentor
  (9-2, 8:30, OP 2117)
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• Skull with Its Lyric Appendage: An Audiovisual Composition
  Performance Art
  
  (Music)
  Adam Kalmbach
  Dr. Warren Gooch, Faculty Mentor
  (10-2, 8:30, OP Performance Hall)
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• Sounding Platinum: Analysis and Performance of Density 21.5
  Performance Art
  
  (Music)
  Eric J. Bowling
  Dr. Julianna Moore, Faculty Mentor
  (21-4, 10:30, OP Performance Hall)
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• A Theory of Many Voices: A Study on the Origins of Thomas Tallis' Spem in alium
  Oral Paper
  
  (Music)
  Nicole M. Robertson♦
  Dr. Jay Bulen, Faculty Mentor
  (40-1, 1:15, OP Performance Hall)
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• Tonal Axis & Its Relationship to Dominant Function in Joaquin Rodrigo's Adagio for Wind Orchestra (1966)
  Oral Paper
  
  (Music)
  Theron S. Perkowski♦
  Dr. Warren Gooch, Faculty Mentor
  (9-5, 9:15, OP 2117)
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• A Total Aesthetic Experience: The Clarinet Music of Karlheinz Stockhausen
  Performance Art
  
  (Music)
  Erin H. Miesner
  Dr. Jesse D. Krebs, Faculty Mentor
  (21-3, 10:15, OP Performance Hall)
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• Tre Canzoni: A Discussion of Original Art Songs Set to Poetry of Primo Levi
  Performance Art
  
  (Music)
  Joshua A. Baum♦
  Dr. Warren Gooch, Faculty Mentor
  (10-5, 9:15, OP Performance Hall)
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• Twelve-Tone Dances: A New Composition for Saxophone Duet
  Performance Art
  
  (Music)
  Timothy J. Rebers♦
  Dr. Warren Gooch, Faculty Mentor
  (10-4, 9:00, OP Performance Hall)
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• The Visual and Musical History of Drum and Bugle Corps
  Oral Paper
  
  (Music)
  Thomas J. Higgins
  Prof. Shirley McKamie, Faculty Mentor
  (20-3, 10:15, OP 2117)
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• "What Will Influence the Heart": Goethe's Faust in Nineteenth-Century German Vocal Music
  Performance Art
  
  (Music)
  Carol A. Perry♦
  Dr. Jacqueline Collett, Faculty Mentor
  (40-2, 1:30, OP Performance Hall)
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