The following presentations will be held in MG 1000:
"The Sign's the Thing": Entertainment-as-Drug in Wallace's Infinite Jest
Allen Ginsberg’s “Kaddish”: Defying and Embracing Death in the Twentieth Century
A feminist approach to Jane Eyre and Wide Sargasso Sea
The Purpose and Critique of "Anonymity" in Go Ask Alice
Sex, Drugs, and Even More Drugs: John Jasper’s Dreams and Desires in The Mystery of Edwin Drood
Sexism and Women Scientists
Anita Sarkesian, Misrepresenting Videogame Sexism: A Critical look at a flawed argument
Gender and Identity: The Classification That Defines Your Being
Stay-at-Home Mom: Understanding the Gap between Working Mothers and Working Fathers
His or Hers? Reviewing Gender Roles and Social Norms
Shooting a Dog: Imperialist Pressure and Masculinity in George Orwell's Burmese Literature
Mary Turner and Mental Illness in Doris Lessing's The Grass is Singing
Memory and History in Salman Rushdie's Midnight's Children
Nyasha and Ifeoma: Hybrid Liminals Subverting the Binary Hegemonic Systems of Patriarchy and Colonialism in Tsitsi Dangarembga’s Nervous Conditions and Chimamanda Ngozi Adichie’s Purple Hibiscus
One or The Other: Latent and Blatant Uses of Mimicry in Coetzee’s Foe
From Oppression to Madness:
A Postcolonial Examination of Jean Rhys’ Wide Sargasso Seas
Visions of Home: Variations on Nostalgia in Sam Selvon and Agha Shahid Ali
The Cause of Her Madness: Why Mr. Rochester is the Reason for Antoinette Rochester’s Insanity in Wide Sargasso Sea and Jane Eyre