By Location: OP 2117 (2008)

OP 2111
OP 2113
OP 2115
OP 2117
OP 2121
OP 2210
OP Atrium
OP Black Box Theatre
OP Lobby
OP Performance Hall
SUB Georgian B
VH 1010
VH 1212
VH 1232
VH 1320
VH 1416
VH 1428
VH 1432

The following presentations will be held in OP 2117:

• Examining the Barbershop Quartet
  Oral Paper
  
  (Music)
  Douglas L. Worley
  Dr. Marc Rice, Faculty Mentor
  (9-1, 8:15, OP 2117)
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• The Secret Life of Alban Berg: Understanding Berg's Music Through his Life
  Oral Paper
  
  (Music)
  Jennifer A. Tullmann
  Dr. Marc Rice, Faculty Mentor
  (9-2, 8:30, OP 2117)
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• The Development of the Bassoon as Evidenced in the Symphonies of Franz Joseph Haydn
  Oral Paper
  
  (Music)
  Nicole A. Sonneveld
  Dr. Marc Rice, Faculty Mentor
  (9-3, 8:45, OP 2117)
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• A Historical Perspective on Music and Emotions
  Oral Paper
  
  (Music)
  Chase A. Carlisle
  Dr. Warren Gooch, Faculty Mentor
  (9-4, 9:00, OP 2117)
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• Tonal Axis & Its Relationship to Dominant Function in Joaquin Rodrigo's Adagio for Wind Orchestra (1966)
  Oral Paper
  
  (Music)
  Theron S. Perkowski♦
  Dr. Warren Gooch, Faculty Mentor
  (9-5, 9:15, OP 2117)
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• The Hymns of Martin Luther
  Oral Paper
  
  (Music)
  Michael C. Bolle
  Prof. Patricia Mickey, Faculty Mentor
  (20-1, 9:45, OP 2117)
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• The Musical Imagery of Claude Debussy: A Transformation of Jean-Antoine Watteau's L'Embarkation de Cythere and Claude Debussy's L'Isle Joyeuse
  Oral Paper
  
  (Music)
  Jessica A. Sommer
  Prof. Shirley McKamie, Faculty Mentor
  (20-2, 10:00, OP 2117)
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• The Visual and Musical History of Drum and Bugle Corps
  Oral Paper
  
  (Music)
  Thomas J. Higgins
  Prof. Shirley McKamie, Faculty Mentor
  (20-3, 10:15, OP 2117)
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• Alexander Scriabin: Exploring the Universal Transformation of Art; A look at the synesthetic approach of the Mysterium and preceding works
  Oral Paper
  
  (Music)
  Savana A. Ricker
  Prof. Shirley McKamie, Faculty Mentor
  (20-4, 10:30, OP 2117)
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• Beethoven's Timpani Notation: A Gateway to the Past
  Oral Paper
  
  (Music)
  Adam M. Groh♦
  Dr. Michael Bump, Faculty Mentor
  (39-1, 1:15, OP 2117)
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• The Development of the Marimba as a Solo Instrument in the United States (1900-1940)
  Oral Paper
  
  (Music)
  Daniel J. Harbaugh♦
  Dr. Michael Bump, Faculty Mentor
  (39-2, 1:30, OP 2117)
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• Matthew Ashbury
  Oral Paper
  
  (English)
  Robert T. Topping
  Dr. James D'Agostino, Faculty Mentor
  (48-1, 2:45, OP 2117)
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• Experimental Stylistic, Tone, and Form Shifts in Creative Non-Fiction
  Oral Paper
  
  (English)
  Jeremy D. Jones
  Dr. James D'Agostino, Faculty Mentor
  (48-2, 3:00, OP 2117)
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• Argen the Demon: A Story in 13 Parts
  Oral Paper
  
  (English)
  Eric O. Scott
  Dr. James D'Agostino, Faculty Mentor
  (48-3, 3:15, OP 2117)
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• BEER ME that TWINKIE
  Performance Art
  
  (English)
  Philip J. Schaefer
  Dr. James D'Agostino, Faculty Mentor
  (48-4, 3:30, OP 2117)
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