By Discipline: Music (2007)

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The following abstracts for discipline Music have been submitted:

• “The Four Seasons of the Year”—A song cycle on texts of Anne Bradstreet
  Performance Art
  
  Fine Arts (Music)
  Kevin P. Becker♦
  Dr. Warren Gooch, Faculty Mentor
  (34-5, 2:15 pm, OP 1393 (Performance Hall))
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• Angst: A Modern Musical
  Performance Art
  
  Fine Arts (Music)
  Joshua A. Baum♦*, Michelle Foard, and Jason Qualls
  Dr. Warren Gooch and Dr. Jacqueline Collett, Faculty Mentors
  (34-2, 1:30 pm, OP 1393 (Performance Hall))
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• Bellini's Tre Ariette: More Than a Few Pretty Songs
  Performance Art
  
  Fine Arts (Music)
  Diana L. Upton-Hill♦
  Dr. Warren Gooch and Dr. Jacqueline Collett, Faculty Mentors
  (34-1, 1:15 pm, OP 1393 (Performance Hall))
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• Brides of Christ: Pre-Feminist Thought in Hildegard von Bingen's Ordo Virtutum
  Oral Paper
  
  Fine Arts (Music)
  Jennifer L. Thomas
  Dr. Marc Rice, Faculty Mentor
  (19-3, 10:15 am, OP 1393 (Performance Hall))
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• The Classical Collaborations of Benny Goodman
  Performance Art
  
  Fine Arts (Music)
  Dana J. Mottet
  Dr. Jesse D. Krebs, Faculty Mentor
  (52-2, 3:00 pm, OP 1393 (Performance Hall))
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• Compositional Techniques of Elliott Carter found in his "Eight Pieces for Four Timpani"
  Performance Art
  
  Fine Arts (Music)
  Megan E. Arns
  Dr. Michael Bump, Faculty Mentor
  (52-5, 3:45 pm, OP 1393 (Performance Hall))
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• Developing the Ensemble and the Student Within The Instrumental Music Classroom Through Authentic Assessment
  Oral Paper
  
  Fine Arts (Music)
  Theron S. Perkowski♦
  Dr. Jay Bulen, Faculty Mentor
  (19-2, 10:00 am, OP 1393 (Performance Hall))
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• Gardens: A Musical-Poetic Collaboration
  Performance Art
  
  Fine Arts (Music)
  Carol A. Perry♦* and Stephanie K. Goodwin
  Dr. Warren Gooch and Dr. Thomas Hueber, Faculty Mentors
  (34-3, 1:45 pm, OP 1393 (Performance Hall))
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• Gaspar Cassadó and His Toccata for Cello and Piano
  Performance Art
  
  Fine Arts (Music)
  Bich N. Kuhns♦
  Dr. Miranora O. Frisch, Faculty Mentor
  (10-1, 8:15 am, OP 1393 (Performance Hall))
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• The Golden Ratio and Motivic Development in Xenakis' Rebonds B
  Performance Art
  
  Fine Arts (Music)
  Doris A. Doyon♦
  Dr. Michael Bump, Faculty Mentor
  (52-4, 3:30 pm, OP 1393 (Performance Hall))
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• The History of Famous Clarinetists and Competition Pieces of the Solo de Concours
  Performance Art
  
  Fine Arts (Music)
  Shino Saito♦
  Dr. Jesse D. Krebs, Faculty Mentor
  (52-1, 2:45 pm, OP 1393 (Performance Hall))
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• La Douleur de l'Amour: Research Into the Expression of French Poetry Through Musical Composition
  Performance Art
  
  Fine Arts (Music)
  Melanie D. Dunn
  Dr. Warren Gooch and Prof. Gregg Siewert, Faculty Mentors
  (10-4, 9:00 am, OP 1393 (Performance Hall))
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• The Life of Richard Mühlfeld and His Impact on Johannes Brahms
  Performance Art
  
  Fine Arts (Music)
  Angela M. Welker
  Dr. Jesse D. Krebs, Faculty Mentor
  (52-3, 3:15 pm, OP 1393 (Performance Hall))
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• Musical Choices in “The Alcotts" from Second Piano Sonata: “Concord, Mass. 1840-1860" by Charles Ives
  Performance Art
  
  Fine Arts (Music)
  Michelle L. Jones♦
  Dr. Janice Saffir, Faculty Mentor
  (10-3, 8:45 am, OP 1393 (Performance Hall))
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• One Effect of Reality: An Interdisciplinary Approach to Understanding Claude Debussy’s Musical Idiom
  Performance Art
  
  Fine Arts (Music)
  Cheryl C. Wong
  Dr. David McKamie, Faculty Mentor
  (10-2, 8:30 am, OP 1393 (Performance Hall))
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• Rahab: An Opera
  Performance Art
  
  Fine Arts (Music)
  Deborah J. Pounds♦
  Dr. Warren Gooch, Faculty Mentor
  (34-4, 2:00 pm, OP 1393 (Performance Hall))
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• "The Songs of Laurie": Music From The Tender Land Explained, Analyzed, and Orchestrated for Solo Tuba With Woodwind Quintet Accompaniment
  Performance Art
  
  Fine Arts (Music)
  Allen V. Carter♦
  Dr. Jay Bulen, Faculty Mentor
  (19-1, 9:45 am, OP 1393 (Performance Hall))
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